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What matters most?

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“What matters most?” is a question I ask myself frequently, as I choose and rearrange priorities for how to spend my time, daily, hour by hour. Even minute by minute. It has taken sixty years for me to recognize this question’s power and necessity in my life. And I’m only just beginning to see how slippery its answers can be. The green snake was what mattered most one hot September afternoon. What you don’t see here are all the videos I took of him (or her) moving along the top of a rusty wire mesh fence between the backyard and the pasture, swaying and flexing a neon-green muscle of a body into an unusual number of curves while moving along the top of the thin wire. I only see this kind of snake in our yard once or twice a year. Every time seems like the first and makes me feel lucky. I could not read the creature’s eyes to figure out what mattered most to him (or her), but I was hoping that by keeping my distance, the answer wasn’t “avoiding me.” After a super-dry late summer, one deluge of a couple inches brought a brief respite in late September, inspiring the autumn crocuses to bloom like crazy. They are actually in the narcissus tribe and not a crocus at all, but regardless of their name, they mattered most when I saw a small bumble bee buzzing and pushing into a bloom. I remembered Betsy B., the woman who first gave me those bulbs nearly thirty years ago. She dug them up for me because she was moving far away from the perennials she’d planted over her years in Virginia. Giving them to me was a way to hold onto them, I think. They mattered on this September day because they were flowering when very little else was. And then came the rain, nearly 7 inches over a few days, which quenched the thirsty forest floor. It came from the edges of the hurricane that caused untold destruction and death in North Carolina. Choosing to notice what was near rather than worry about what I could not touch was difficult. So when the fungus flowers began to bloom in the lawn and the woods, they mattered most. The challenge of trying to use “what matters most” as a guide to my priorities is especially pronounced in Autumn, when the… Continue reading

Pedlar River Institute’s Sourwood Forest Residency Program Begins!

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Nature offered us a perfect spring day for the opening celebration of Sourwood Forest’s first artist residency week! Thirteen people went into the forest to draw using charcoal pencils made from the trees that grow there. Judy Strang, Christine Forni (multidisciplinary artist) and Amy Eisner (poet and teacher) collaborated to create an event where guests were treated to poetry, group conversation, refreshments, and a chance to try their hands at sketching in the woods. Everyone left energized, having been nurtured by the forest and by each other. The opening celebration forecasted what future half or full day workshops may include: a mix of art making, poetry, reflection, and environmental understanding. Event leaders Judy, Christine and Amy had first met when they were residents at Vermont Studio Center in June of 2017. Even then, Judy was speaking of her desire to host artists at her house, but it wasn’t until late in 2021 that the three began to talk about the start of Sourwood Forest: it would be marked by Christine and Amy coming to Judy’s place as the first “residents” for what Judy was calling “an experimental week.” When Judy indicated she’d like to host a public event as part of that week, Christine described her “drawing you outside” (see her instagram #drawingyououtside for more information). Christine offered to make charcoal pencils from trees in Sourwood Forest ahead of time, so Judy sent her a box of twigs in March, having carefully chosen them and documented their harvest. As a poet and teacher of poetry to visual artists (at MICA in Washington D.C.), Amy used her talents with language to integrate Christine’s “drawing you outside” activity with Judy’s intention that guests connect and reflect within the forest. She chose and arranged words—her poems and the writing of others—to weave the two and a half hours into one whole experience rather than a series of disconnected activities.  “We’ve just begun to imagine what could happen here,” Judy said, remarking on the positive responses from her guests to the event and to possibilities for Sourwood Forest in the future. She had started with a list of six invitees, and several of those had reached out to their contacts, resulting in a wonderfully diverse group–one that will likely help Judy find more creatives to take part in future residencies. If you’re interested in a Sourwood Forest Residency, send your inquiry through our Contact… Continue reading

Grandmama Oak

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Good morning, Grandmama Oak! And what a lovely, misty, mild December morning it is. I wonder, did you feel those turkey toes scratching in the dirt before you felt my footsteps descending through the forest?  I spooked the gang as I opened the east pasture gate at the edge of the woods. A dozen or more of them scooted off, and several opened their wings and stepped into flight where the hill sloped steeply beneath them on your north side. They’ve landed again, and I hear them moving far below us, their footsteps percussive in the crackling, leafy duff. If it were raining, I’d say they sound like water falling from trees; if it were windy, they could be the music of still-hanging leaves rustling on twigs. I come here for the chance to be still. You are my mentor for that. I’m sure you are feeling this rare wet air moistening your dry limbs and seeping slowly into crevices against your trunk. It must be a welcome feeling in what has been a dry winter until now. From my bench-seated view, I can see four very long, quite dead limbs among your many live ones. Still attached to your trunk, they are thick as my torso, thicker than most tree trunks in the forest surrounding you. One of them, if standing straight up, would be as tall as my house. The dead ones are small in number compared to your live limbs. But you had no dead limbs when I first met you nearly thirty years ago. Sometimes when I’m with you, I try to imagine you in your earlier life, before me, way back when you were at the start of your “growing up” years. You sprouted two hundred years before I met you. And in my time here (as your dead limbs testify), you have crested over into the “growing down” part of your life, which could take two or three hundred more years. Since you are on our land, you’re safe from being cut down by a person, at least. For now. But other humans and less obvious foes may challenge you after I’m gone. I plead with the universe as I gaze at you: let Grandmama Oak have a full life, the rarest thing for any tree in the world today. This morning’s fog shrouds you. The misty air rolls through the world behind you… Continue reading