Tag: old growth

Come to Sourwood Forest Summer 2024

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As I prepare to welcome artist Patricia Wallbertson to Sourwood Forest next week, I’m remembering other Sourwood Forest summers and hoping to find more artists and writers to visit this summer and early fall. If you’d like to spend time at Sourwood Forest, please contact me by searching for Judy C. Strang in “faculty and staff” on the Washington & Lee University website, and email me at the address you find there. (My technology wizard is working on a fix to prevent all the unwanted traffic we’ve been getting from the contact form on the website.) Here’s a testimonial about Sourwood Forest a former writer/artist-in-residence: “When I first arrived at Sourwood Forest, I was greeted by a particularly friendly wood thrush perched on a nearby fence post. For weeks I had spent my mornings following a thrush’s call near my home without ever spotting its source. But here, in this remote corner of Amherst County, VA, beyond the car horns, advertisements, and fluorescent linings of the city, I was met, immediately, by what I’d been looking for, as if the bird had been nudging me here all along. In the days that followed, during my short stay at Sourwood Forest, this suspicion was confirmed again and again–by the soft silence of the mornings, writing at the window overlooking a quilt of native flowers and shrubs; by the path of white oak, beech, and (yes) sourwood that bent through the understory; by a quirky family of goats, all congregating nearby for their next taste of tree trimmings; and by the birds, over and over again–the tenacious hummers battling at the feeders, that chance encounter with a yellow-breasted chat, the fiery coat of a scarlet tanager. Sourwood Forest not only offered a perfect place to write, to walk, and to witness, it offered me a place to be, to remember how to be. The wood thrush, with its one-bird harmony, knew what I needed after all.” (Grant Kittrell, June 2023) Continue reading

Pedlar River Institute’s Sourwood Forest Residency Program Begins!

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Nature offered us a perfect spring day for the opening celebration of Sourwood Forest’s first artist residency week! Thirteen people went into the forest to draw using charcoal pencils made from the trees that grow there. Judy Strang, Christine Forni (multidisciplinary artist) and Amy Eisner (poet and teacher) collaborated to create an event where guests were treated to poetry, group conversation, refreshments, and a chance to try their hands at sketching in the woods. Everyone left energized, having been nurtured by the forest and by each other. The opening celebration forecasted what future half or full day workshops may include: a mix of art making, poetry, reflection, and environmental understanding. Event leaders Judy, Christine and Amy had first met when they were residents at Vermont Studio Center in June of 2017. Even then, Judy was speaking of her desire to host artists at her house, but it wasn’t until late in 2021 that the three began to talk about the start of Sourwood Forest: it would be marked by Christine and Amy coming to Judy’s place as the first “residents” for what Judy was calling “an experimental week.” When Judy indicated she’d like to host a public event as part of that week, Christine described her “drawing you outside” (see her instagram #drawingyououtside for more information). Christine offered to make charcoal pencils from trees in Sourwood Forest ahead of time, so Judy sent her a box of twigs in March, having carefully chosen them and documented their harvest. As a poet and teacher of poetry to visual artists (at MICA in Washington D.C.), Amy used her talents with language to integrate Christine’s “drawing you outside” activity with Judy’s intention that guests connect and reflect within the forest. She chose and arranged words—her poems and the writing of others—to weave the two and a half hours into one whole experience rather than a series of disconnected activities.  “We’ve just begun to imagine what could happen here,” Judy said, remarking on the positive responses from her guests to the event and to possibilities for Sourwood Forest in the future. She had started with a list of six invitees, and several of those had reached out to their contacts, resulting in a wonderfully diverse group–one that will likely help Judy find more creatives to take part in future residencies. If you’re interested in a Sourwood Forest Residency, send your inquiry through our Contact… Continue reading

Tornado?

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As a tornado ended its short but dramatic life in my neighborhood last May, it dipped its tail into the woods surrounding my house and also into the forest on a neighbor’s adjacent property, between us and the Pedlar River. I didn’t come upon evidence of any of this until a few days later, after I had talked to my neighbor. He was out haying his field across the county road from my house, and I went out to find him because I wanted to ask him about buying one of his bales for my goats. His observation about the storm was that “there was stuff in the field from as far away as Boonsboro.” Boonsboro is the part of Lynchburg across the James River from us, and quite a few miles to the southeast. His observation about debris coming from somewhere else rang true with what I’d witnessed after that storm. Our back pasture seemed to be decorated with droppings from pine and deciduous trees, many from species other than what grew around the perimeter. The twigs and branches seemed evenly distributed, spaced all throughout the clearing, as if the storm had been a giant food processor picking up ingredients from all over the place, chopping them into similar sizes, then dropping them. But mostly my neighbor had been talking about the huge old oak trees the tornado had brought down, here and there across a large stretch of his woods on the edge of the hayfield. And that had led him to ask me, “Have you seen what happened at the end of the road?” I walked to the end of the county road the next morning, and that was when I realized why his eyes had been so big as he had asked me whether I’d seen this. Less than 1000 feet from our driveway, a huge hole in the sky had formed in the woods next to the road, created by the absence of a mess of very big trees, oaks and pines that had filled that space since before I had moved here almost thirty years ago. It was disconcerting. It made a part of the world that had become very familiar to me look suddenly strange and ominous. I was not able to get a picture of it because the scale didn’t translate into what my IPhone could see. My neighbor and I had… Continue reading

In Praise of February

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It’s about to start again—spring, I mean, in all its frantic frenzy. The birds have begun singing courting songs in the mornings despite the birdbath water being solid frozen. Daffodil buds may be shut tight, but their stems grew two inches earlier this week, when we had one of those weirdly warm nights in the midst of what has been a graciously, seasonally cold six weeks.  Before spring springs, I want to honor winter, praise the quiet glory of the winter woods, a time of shapely silhouettes, of shiny, silent stillness. What inspired me to write was the walk Scott and I took a week ago to the skunk cabbage realm, guessing that there might be blooms. They grow in an out-of-the-way bit of bottomland spreading out from a small stream that runs through a forest on a neighbor’s land. All the way there, the forest floor was a smooth orange-brown mottled mat of frozen leaves. It was unusually pressed down and uniform because of the extended snow cover in January, which had melted and refrozen several times before disappearing altogether a few days ago. It was a look we remembered from another decade, a more wintery look than we’ve witnessed in years. On our skunk cabbage walk, we enjoyed a beautifully open, mostly frozen February forest. Being a creature that listens to day length more than temperature, the cabbage plants had already pushed up their hooded-alien-head blooms in the thawed places of the bog. It was exciting to try and guess at where the ground was frozen enough to hold us as we wandered into the muck where the cabbage lives. We folded ourselves close to the ground to take photos (which, though we take them almost every year, are never nearly as interesting as the real thing). We headed home a different way and happened into a new patch of woods, for us. This is saying something, since we’ve been wandering these forested hills for thirty years. We knew the fields below and the ridge running parallel, but we’d never walked through those actual acres. The size and height of the trees enthralled us, and we noticed a broad diversity as we moved among them up and down the folded hills. There was a secret feeling to the place, no visible evidence of human disturbance. No mounds or trench scars from skidders, no stumps from previous logging. The… Continue reading

Grandmama Oak

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Good morning, Grandmama Oak! And what a lovely, misty, mild December morning it is. I wonder, did you feel those turkey toes scratching in the dirt before you felt my footsteps descending through the forest?  I spooked the gang as I opened the east pasture gate at the edge of the woods. A dozen or more of them scooted off, and several opened their wings and stepped into flight where the hill sloped steeply beneath them on your north side. They’ve landed again, and I hear them moving far below us, their footsteps percussive in the crackling, leafy duff. If it were raining, I’d say they sound like water falling from trees; if it were windy, they could be the music of still-hanging leaves rustling on twigs. I come here for the chance to be still. You are my mentor for that. I’m sure you are feeling this rare wet air moistening your dry limbs and seeping slowly into crevices against your trunk. It must be a welcome feeling in what has been a dry winter until now. From my bench-seated view, I can see four very long, quite dead limbs among your many live ones. Still attached to your trunk, they are thick as my torso, thicker than most tree trunks in the forest surrounding you. One of them, if standing straight up, would be as tall as my house. The dead ones are small in number compared to your live limbs. But you had no dead limbs when I first met you nearly thirty years ago. Sometimes when I’m with you, I try to imagine you in your earlier life, before me, way back when you were at the start of your “growing up” years. You sprouted two hundred years before I met you. And in my time here (as your dead limbs testify), you have crested over into the “growing down” part of your life, which could take two or three hundred more years. Since you are on our land, you’re safe from being cut down by a person, at least. For now. But other humans and less obvious foes may challenge you after I’m gone. I plead with the universe as I gaze at you: let Grandmama Oak have a full life, the rarest thing for any tree in the world today. This morning’s fog shrouds you. The misty air rolls through the world behind you… Continue reading

Gifts from Old Trees

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I’m not sure why I felt compelled to take people out into these doomed forests again—doomed because they would be logged within the next year, altered suddenly from nearly old growth to nearly clear cut. I told myself, as I had when I led hikes last spring, that it was a way to make something good out of a bad situation. And I think I was right. Because we had to scout a good route, Scott and I walked the lovely old forest tracts twice. The scouting took place a week before the advertised hike, on a cool, sunny day. It happened to be at the exact point of supreme color in this year’s unusually beautiful autumn. That afternoon we walked slowly. We often stopped, stood still, and let stillness settle, since walking through the thick carpet of new-fallen leaves was loud. But more often we were halted by the beauty itself, ceasing our chatter, stretching our chins up to the sky. Our eyes followed the delicate gesturing patterns of flying leaves and soaked in the brilliance of glowing red, yellow, orange all through the canopy. Feeling the weight of my body held up by these old beings, their widespread roots woven through the ground unseen beneath me, I felt nurtured. I heard the deep duff as I walked, aware of gravity as my body moved, alternately graceful and hesitant, carefully stepping over decomposing branches and trunks. What luck, I thought, to be in a forest that has been allowed to become itself, that has been undisturbed by humans for at least one hundred years. There were places where I could see no signs at all of previous logging– no stumps, no stump sprouts, no scars from skidding roads.   The scouting hike was a good thing. And after the planned hike (which was also a good thing), I realized that the good kept going. Each person who had walked with us on Sunday had been touched by the place and kept a piece of it with them to carry forward. So it had been what I’d hoped: a memorial in celebration of the old trees’ last autumn. By next year, changes imposed by machines and men will render the place unrecognizable and destroy the integrity of its ecological fabric. But this week, fifteen fortunate folks had witnessed that community of tightly entangled organisms from the inside: above and around… Continue reading